In our work we have noticed: This is the narrative that people quickly make sense of, much faster than the larger apocalypses, like climate change, species extinction, the population and consumption and war spirals. For years we have lacked the earth-shaking thriller that explains everything else. That is why Hollywood has been able to sell us a blockbuster apocalypse everything month or so, with some Captain Americas or Supermen flying in at the last minute to save us. Somehow that isn't a realistic preparation for what is actually happening to us. But THIS story: The villainy of Monsanto, the instrument of death that is the seed-soaking Neonicotinoid insecticides, the struggle of the Honey Bees to touch a thousand flowers and touch us all... Here we have the STAR WARS that the environmental struggle hasn't had since Rachel Carson. My vote is for pushing against Monsanto and Bayer and Syngenta and the whole neo-liberal factory farming GMO regime. Let's be too outlandish to be called mere "protesters." That part of ourselves that we've held quietly in reserve, that collection of courage? Anybody hear me? Unpack that now and plan a nonviolent direct action. Not a march and rally. Not protesting. A nonviolent direct action that is so dramatic that the first thing people think of is: How will the bees get back to their hive? And how will I survive? (THOSE TWO QUESTIONS ARE THE SAME QUESTION.) HoneyBeeLujah!
WE HAVE A SHOW-DOWN THAT WILL DEFINE WHAT WE ARE. The profitable poison versus the people. (This is a very hands-on version of climate change vs. the people, and that is part of this fight's importance.) For almost a decade the EPA has not moved on Neonicotinoids, but of course the EPA is rendered goofy by the pressure of so many Monsanto people in its offices. Out in the world we have beekeepers, flowers and bees. In the capital we have millionaire masturbators. The trick is to draw them into battle. How do we draw a line between us? The corporate marketers are brilliant cultural analysts. They fuzz the border between us. Bayer, Syngenta and Monsanto hold "Bee Health Summits." They offer themselves as our benign leaders with images of bees, flowers and huggy children. Their conscience policy is - kill the bees while pretending to love them, and while financing RoboBees to replace them. We keep thinking, "Can they be that evil?" Yes, they are.
EVERYTHING WE KNOW ABOUT NEONICS IS AWFULhttp://grist.org/news/everything-we-know-about-neonic-pesticides-is-awful/
Stop Shopping Choir members and friends at the Mermaid Parade on Coney Island. -- Well we've been discussing gender switching and species-switching by activists. This parade is dedicated to ocean life, the romantic gene-splicing that makes the Mermaid. The Honey Bees are all over this picture, a bit hard to see. I see undersea life, cabaret coral, fish kings and star fish... The Earth revolution is sourcing here. This is sexy AND important to survive, and unites with Carnavale events, indigenous ritual, and all the Doo Dah and Burning Man parades... We're onto something here. We're intuitively moving toward it... Give me an Earthalujah!
Now that our run at Joe's Pub is concluded I turn to the computer and find my friend Keegan arrested for impersonating cops. Oh, the costumes of activists, trying to appropriate the authority that has gotten out of control. Then I thought of our strange year, this bee cult we started. The authority we confronted was Harvard, the pomposity of scientists there secretly getting money from the Pentagon to replace bees with robots... RoboBees. What?
Costumes take the predator police momentarily off their scent, off their prejudice as to types, and adds a sense of humor. They are slightly less apt to hand-cuff you if they are laughing. You don't often see laughing cops cuffing protesters. It's all theater! The picture here, after our singing invasion of the RoboBee laboratory - we can see the vogue-ing of the Stop Shopping Choir. It seems that we have practiced drag queens in our midst. Gender-switching and species-switching. C'mon cops, try to catch us!
Our fundamentalism will always have us drowning, in denial to the end, preaching about surviving all this extreme weather. But the wilderness rises up our legs, unlaughing, eating us alive. Right-wing apocalyptic Christianity may try its vaudeville routine as the water rises, because turning your deathbed into a garish comedy is its style, but all Americans have the same contract with the lonely, angry military god. We all have our chance go down into the suffocating wildness with only a sad reality show of our last moments. We are looking for eternity, re-runs, syndication, and profits that silently come into our Paypal account.
Profits are the form that fundamentalism takes now, the wars that support it are just a very expensive form of last minute shouting before drowning. We were supposed to follow a pillar of fire across the wilderness, but it's worse than GPS. The flood put out the fire and the god disappeared like a Wall Street crook in a Dassault jet. We wanted the eternity we were promised. We wanted to slay the natives and settle down. We are still trying to go to church as the water rises. We want our eternity so badly, like a drug-like sexual encounter, like a billion dollars appearing in the seaweed as it swallows us. The Earth is pushing us into the sky for our last words, and this is a speech with no money in it.
Victoria, Casey, Hadar, and Vincent - accepted "Fabulous Sainthood" in the Church of Stop Shopping yesterday. These four sacred activists are among the Cooper Union students who took the school president's office and refused to leave, ultimately living there for 65 days. Our HoneyBeeLujah services are just around the corner in Astor Place, and we have a special appreciation for standing up to institutions of higher learning who turn into real estate empires with college presidents paid like CEO's. Trespassing in the upper reaches of these places warms our heart. We were arrested for preaching from the rooftops of NYU buildings more than ten years ago, when we were trying to save the Poe House on 3rd Street from NYU expansion. It was the residence where Edgar Alan wrote The Raven. So we have explored these highfalutin methods. I believe that the powerlessness that students feel with the remote hugeness of universities was - here in New York at least - assuaged by the seizing of executive offices by these saints. And even as they conducted interviews from their top floor corner office, for instance with Amy Goodman at Democracy Now, they always took us through the issues of transparency, tuition and debt and the consumerizing of students - with a light touch. You can see it in their laughter here.
In the young years that I lived in Minnesota and the Dakotas. I’d return again and again to the end of a dock to stare up, or take a hillpath to a lookout, my listening point. The main thing I wanted was to be free of others and to look out… I was meditating toward the north and west, where I would see the night sky arrayed out there endlessly above the icy sweeps. I didn’t even want to call it the Rockies or the Arctic - I felt strangely nourished by that mystery.
I loved my listening point in the winter when the north wind made the evergreens give off that soft whistling sound. I could imagine the big forest cats, the wolves and their full moons and the great white owls. They were my fabulous gatekeepers to another world. I knew that if I traveled far enough into this vast space that the thousands of rules that were being assembled for my young life would disappear. The measurements, like “millions of miles” would become useless. All human shouts died on the edge of the crushing silent music that swept up to space.
I believe my listening points offered me an invitation to work free of the culture being forced on me. I could glance in that northerly direction while sitting with my workbook in school. At twelve years old that was Mellette School in Watertown, South Dakota. The schoolyard was turned away from the prairie that disappeared into the ice and stars, but I could sense its presence and feel better ….and be better prepared to cast a cold eye on the education I was getting. The story of history taught in school was like a loud shirt with a missing sleeve; my beloved unknown land became the Northwest Passage, or the last scene in Dr. Strangelove, or - constantly – sentimental versions of the natives. But I was confident of my escape. I knew that I could point myself northwest after school and I would hear an incoming counter-story.
Now as an older person I watch the arctic melting. The unknowable top of the world has been meddled with. As a life-long hunter of new culture, I’ve had to move my listening point to increasingly unprecedented scenic views. Now I must find my howling wind in a cubic inch of soil, or a rare bird a thousand miles off its range, or an orgasmic flash of nature in our bed. The northern lights show up in my life on the sly, a gift of intuition, a surprise from an unknown artist, like catching Charley Parker or Jackson Pollock before they got famous. I still believe that my cultural night sky is hiding somewhere, but the escape to freedom is through a shell-game of dazzling space junk.
The unknowable beasts who once saw human beings as wandering loners in the far distance, tramping through the snow with their guns on their backs – these animals are in flight now like we all are. A few weeks ago, in early May, a roaming female wolf was shot by a farmer in Iowa. The newspapers marveled that the lone wolf got so far south. I wondered if she was searching for her listening point.
The RoboBee inventors are taking the part of the bee that they understand, the non-inertial flight, the 70 wing beats a second, etc. to create their frankenbee. What they don't and cannot understand is how a scout bee returns to the hive and begins her dance, wiggling and waggling, beating her wings 70 times a second, shooting the hive full of pheromone gasses and building a mysterious-to-us map, a three dimensional map created from triangulating the sun, the hive and the foraging flower in the distance... This dance of erotic communication is the Honey Bee being miraculous. In the dark ball of the hive something happens we can't explain. We only see the results: the Honey Bees travel miles to precisely the flower in the scout bee his directed them to.
The scientists at the RoboBee lab are only taking the dumbest part of the smartest animal. They mimic with their little robot the wing-beats and the non-inertial flight, the mechanical stuff. The mysterious dances in the hive they jettison. Could this because they are financed by the Pentagon, and are actually not building a bee at all, but rather a new tiny drone for futuristic warfare? Yes, the head researcher has received millions from DARPA.
As Earth activists we know that we can only stop these people by discovering the mysterious dance in ourselves. These violent people need some precise dark magic from you and me.
Let's consider for a moment the honey bee and its anticipated replacement, the RoboBee. Let's pay a visit to the frankenbee's parents, Monsanto and DARPA.
The RoboBee is a mechanical bee in the design stage at the Microrobotics Lab, housed in a well-appointed building at Harvard University. The RoboBee project's Intelligence Office declares that the robotic inventors are inspired by the bee. The RoboBee project's website and press releases use the imagery of the golden bees that we remember from our love of the cuddly buzzy honey-maker.
Got my "Community Service" today for my conviction for preaching in the JP Morgan Chase lobby last September, surrounded by singing extinct Golden Toads. Connecting bank investments to climate change and the extinction wave - that was our novel idea. So I got my gloves and my ID and my paper form and I'm off to the subway with the sleepy commuters. I thought as an act of defiance I would leave you my faithful this picture of preaching in the lobby of the Boston Monsanto headquarters a couple weeks ago. I think their interior decoration resembles their vision of the interior of a corn plant. No biological shapes, no stinking smells, no humor or mystery or sex. Also no evolution, no intruders or "wildness" of any kind and so no nutrition. And the inscrutable architecture reminds me of reflecto-sunglasses that mask any desire. It makes us want to break that "sea of identical details" with singing and shouting and sheer information. This is a cover-up! We know what you are doing! You are sweeping our best souls from their traditional homes into shantytowns. You are chemicalizing eco-systems. You are leaving the bee without a flower. So come down out of your offices, don't such Selfie us. Come out and touch us and laugh with us instead of arresting us. We know that you want to join the resistance to Godsanto's Hell.